Journey Into Mystery 119
Our Story
Our Story
Continuing from the battle last month, Thor is held by a floor hardened to Asgardian diamond around him, as the Destroyer approaches with his blasts of elemental force. The Thunder God’s form mysteriously becomes unsolid, and he is able to pass through the floor beneath him and gain some time. The unlikely benefactor who saved him? Loki—who, though imprisoned in Asgard, sent forth his mental energy to save his brother (and himself from Odin’s wrath). The Destroyer catches up with Thor, who decides to stand and fight. He counters his foe's river of lava by crashing millions of tons of rock down on him. While the Destroyer isn’t even scratched, it does allow Thor time to reach the body of the hunter whose spirit inhabits its form. Loki, exhausted, has one final plan. He sends his thought form to his sometime ally, the Norn Queen, who agrees to help by using her mystic powers to safely wake Odin from the Odin sleep. Before Odin can save his son, Thor asks his father for a moment more to resume the battle. The hunter, not wanting to destroy his own body with the Destroyer’s blast, returns to his mortal form, and then tries to dash back to the unmoving shell when Thor turns his back. Thor is too fast for him, and grabs the hunter, taking him to safety while a hammer blow shatters the Temple Of Darkness around them, to bury the Destroyer’s form from prying human interference. Thor lets the hunter go free, while Odin sentences Loki to work for his royal warlock, Ularic.
“Gather Warriors”, has our Tales Of Asgard doing just that, as the crew is assembled for the mission at hand, to find the unseen enemy who has cracked the Odinsword. Odin shows his advisors a frightening warning etched upon the palace wall: Ragnarok is coming!
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Nobody does it better
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PE: Exciting conclusion to the Destroyer showdown. Kirby's work here and in the Fantastic Four continues to be jaw-dropping. Odin seems, at last, to have gotten a handle on the fact that Loki is one little treacherous kid, banishing him yet again, this time to become a menial laborer for a third-rate warlock. Since this is insulting to Loki, and Thor has no other major villains, my money's on a prison break sometime soon. We'll see how many issues this banishment lasts. In the meantime, I'm enjoying the heck out of this strip now that Stan and Jack have come to the conclusion that Thor battling the Communist Chinese Army does not make for "Senses-shattering adventure." Gods should battle Gods, I've always said.
JB: Ditto Pete, on the artwork here. Nice full page of the Temple Of Darkness collapsing, and we get to see more of Odin’s pajamas. The Tales Of Asgard entry is a lot of fun. We see a few more Asgardian warriors, especially some fun antics from ever-cheery Volstagg, who apparently has a nagging wife and fifteen kids!
Our Story
Sorcerer Xandu seeks the powerful Wand of Watoomb, hidden away in the Sanctum Sanctorum of Doctor Strange. To achieve his goal, the evil magician hypnotizes two barroom brawlers and makes them impervious to pain. The thugs defeat Doctor Strange and make off with the Wand, catching the attention of our Friendly Neighborhood Spider-Man along the way. Sensing something's up with these two burly characters and jonesing for some action, Spidey tackles the duo but soon finds he's no match and is beaten badly. Not one to give up on a fight, he attaches a Spider-tracer to one of the bullies and tracks them to Xandu's lair. Once there, Spidey is transported to another dimension but, before he can be teleported, he grabs the Wand and soon finds himself fighting the two buffoons again, this time in a nightmarish dream-world of doors that lead to other dimensions and odd angles. Saved in the nick of time by the Master of the Mystic Arts, Spider-Man makes it back to Xandu's hideaway and, together, the two superheroes reaquire the Wand of Watoomb and all is right in the Mystic Underworld.
PE: I'm not sure I fully grasp a hypnotic power that makes two thugs invincible. Granted, Xandu's spell makes the guys a little more impervious to pain, but an uppercut from Spider-Man will draw a bit of blood, no? At least a broken nose. Spidey notes that popping these guys in the kisser is like hitting a brick wall. And his webbing is useless against them? If it's this easy, why not hypnotize an army of thugs?
Jack: I was even more bothered by the fact that two mindless lugs could walk into Dr. Strange's sanctum and knock him out so easily. Good thing Baron Mordo did not know these guys!
PE: Web-head seems pretty calm when he's transported to another dimension, one complete with a Saturn sinking in a pool of water. I'd be at least a little nervous if I found myself in a place that had no rules and lots of Twilight Zone-esque doorways, even if I was a super-powered teenager. I have lots of questions about these alternate worlds: Is the pool of water bottomless? If Spidey falls off the little pathway of bowling balls he's balancing on, does he fall forever?
Jack: And did Xandu have anything to do with a certain 1980 film?
MB: Despite the wildly divergent styles of their strips and personae, it must have seemed like a no-brainer to bring together the two heroes plotted and drawn by Ditko, even though they don’t really interact much in this fun but lightweight story, and where the hell Doc found time to trifle with Xandu in the middle of his Eternity quest, I have no idea. As a contemporary reader pointed out, it feels more like a Dr. Strange story with Spidey dropped in than the subject of a Spidey annual; perhaps their being so prominently featured here accounts for the conspicuous brevity of their appearances in the concurrent FF annual. I would have called Xandu a totally forgettable villain, making it ironic that Strange frets about what a powerful weapon the Wand of Watoomb is, but Len Wein obviously didn’t forget, because he reunited them for a rematch almost a decade later in Marvel Team-Up #21 (which, in its own weird way, sums up what I love about MTU).
Sorcerer Xandu seeks the powerful Wand of Watoomb, hidden away in the Sanctum Sanctorum of Doctor Strange. To achieve his goal, the evil magician hypnotizes two barroom brawlers and makes them impervious to pain. The thugs defeat Doctor Strange and make off with the Wand, catching the attention of our Friendly Neighborhood Spider-Man along the way. Sensing something's up with these two burly characters and jonesing for some action, Spidey tackles the duo but soon finds he's no match and is beaten badly. Not one to give up on a fight, he attaches a Spider-tracer to one of the bullies and tracks them to Xandu's lair. Once there, Spidey is transported to another dimension but, before he can be teleported, he grabs the Wand and soon finds himself fighting the two buffoons again, this time in a nightmarish dream-world of doors that lead to other dimensions and odd angles. Saved in the nick of time by the Master of the Mystic Arts, Spider-Man makes it back to Xandu's hideaway and, together, the two superheroes reaquire the Wand of Watoomb and all is right in the Mystic Underworld.
Jack: I was even more bothered by the fact that two mindless lugs could walk into Dr. Strange's sanctum and knock him out so easily. Good thing Baron Mordo did not know these guys!
PE: Web-head seems pretty calm when he's transported to another dimension, one complete with a Saturn sinking in a pool of water. I'd be at least a little nervous if I found myself in a place that had no rules and lots of Twilight Zone-esque doorways, even if I was a super-powered teenager. I have lots of questions about these alternate worlds: Is the pool of water bottomless? If Spidey falls off the little pathway of bowling balls he's balancing on, does he fall forever?
Jack: And did Xandu have anything to do with a certain 1980 film?
MB: Despite the wildly divergent styles of their strips and personae, it must have seemed like a no-brainer to bring together the two heroes plotted and drawn by Ditko, even though they don’t really interact much in this fun but lightweight story, and where the hell Doc found time to trifle with Xandu in the middle of his Eternity quest, I have no idea. As a contemporary reader pointed out, it feels more like a Dr. Strange story with Spidey dropped in than the subject of a Spidey annual; perhaps their being so prominently featured here accounts for the conspicuous brevity of their appearances in the concurrent FF annual. I would have called Xandu a totally forgettable villain, making it ironic that Strange frets about what a powerful weapon the Wand of Watoomb is, but Len Wein obviously didn’t forget, because he reunited them for a rematch almost a decade later in Marvel Team-Up #21 (which, in its own weird way, sums up what I love about MTU).
PE: I've never been a fan of Doctor Strange nor his Lovecraft-influenced dimension-hopping. I'm alone in that regard here among my professors, I know. So, it's not all that surprising to learn that I didn't get off on this adventure. I think an "annual" should showcase a special story (or, at the very least, a longer story), which is what the earlier Marvel annuals did. There's not much of interest here, just the same kind of story you'd find in Strange's regular monthly strip and, as Professor Matthew notes above, Spidey is more of an afterthought in the entire saga. It could just as easily have been a Dr. Strange Annual #1. The 3 "earliest, greatest, most-requested full-length epics" are: "Spider-Man" from the premiere issue (which may be reprinted every time it's requested!); issue #2's "The Uncanny Threat of The Terrible Tinkerer"; and "Marked for Destruction by Doctor Doom" (from #5). To fill out the colossal 72-page package, there's also a handy 5-page "Gallery of Spider-Man's most famous foes."
Jack: I thought it was cool to see Spider-Man in one of Ditko's crazy Dr. Strange dimensions, but I agree with Prof. Matthew that this story ignores the heavy continuity going on in the good doctor's own strip. And by the way--why doesn't Dr. Strange use some other people's bodies to do his bidding? Every evil magician seems to do it!
Journey Into Mystery Annual 1
Our Story
Seeking adventure, Thor and Loki enter the deadly land of Jotunheim, where the storm giants dwell. They encounter two giants who have found what they believe to be the long lost passage to Olympus, which they are seeking to dig out. Jumping into the fray to prevent them from causing further mischief, Loki quickly makes himself scarce. Thor has no problem dispatching his foes, but in so doing, shatters the ground beneath him, falling into a dimensional vortex. He eventually lands in a chamber that emerges into a land of great beauty and mirth. Thor realizes he is indeed in the fabled land of legend, Olympus, where other immortals dwell. Wanting to return to his homeland, Thor seeks direction from an impressive stranger crossing a bridge. Both Thor and the other god want to cross the narrow bridge first. The Olympian god makes it known that he is Hercules, whose brashness and aloofness anger Thor, after Thor has been tossed in the river when Hercules uproots the bridge. Neither being willing to back down, a battle begins. Both are of almost identical power, and neither seems able to gain much of an advantage. Suddenly, both are knocked to the ground by the arrival of Zeus, ruler of Olympus and father of Hercules. He has witnessed the battle and finds both worthy of victory. Hercules and Thor shake hands as friends, and Zeus returns Thor to Jotunheim. Thor decides not to tell Loki about his adventure. Zeus, to prevent any further access from outside, seals the entrance of the passage to Olympus.
PE: An interesting tale in that Loki rides side by side with Thor into the "Forbidden Land". Where does that put this story in the JIM/Thor chronology since, in the current monthly title, Thor and Loki are sworn enemies (in fact, Loki has kidnapped the beautiful and ultra-intelligent Jane Foster at least 22 times in the last 36 issues) and, though Thor is notoriously absent-minded, I'm sure the Thunder God might remember that and be a bit cautious. Thor seems to be his young, arrogant self in that he challenges Hercules, in the Olympian's homeland, over who will be the first to cross a bridge! The other fascinating aspect is that the duo venture into Jotunheim, home of the Storm Giants, which plays a very important part in the summer film directed by Kenneth Branagh. As a big fan of that film (and one who's coming fresh to most of these Thor adventures), I get a big smile on my face when I see some of the obvious inspirations of the writers.
JB: Hercules is a great rival and friend of Thor’s who will have lots of impact over the years in the series. Thor suggests that the existence of Olympus is known to the outside, but only as a legend; I wish we got to see a little more of it. The battle is almost a panel by panel oneupmanship, but lots of fun, with some great art. It must be a painful life as a warrior god (or a Marvel hero in general), taking such a pounding all the time! The Thor comic has sure come a long way, as we can compare with four reprints of earlier JIM issues included in the annual: #’s 85 (Loki), 93 (Radioactive Man), 95 (Demon Duplicators), and 97 (Lava Man).
PE: Thor notes that Olympus is a land "hinted at by our ancient legends." Another big smile rises on my face as I realize that this is a legend within a legend. When Stan and Jack were on their game with minor details, no one could touch them for comic storytelling (at least until Gerber, Englehart and Thomas, et al., show up, that is). I assume Herc has his initial all over his uniform in case he has to step into a steam room with other muscle men? The only thing that slows down this exciting battle between two really big guys is the endless "You absorb my mightiest punch and pop right back on your feet? What manner of man are you?" dialogue that clutters four full pages of panels. Also included this issue are two depictions of "a simple, ordinary, typical Asgard street scene," including the directions to the Shopping Center.
PE: An interesting tale in that Loki rides side by side with Thor into the "Forbidden Land". Where does that put this story in the JIM/Thor chronology since, in the current monthly title, Thor and Loki are sworn enemies (in fact, Loki has kidnapped the beautiful and ultra-intelligent Jane Foster at least 22 times in the last 36 issues) and, though Thor is notoriously absent-minded, I'm sure the Thunder God might remember that and be a bit cautious. Thor seems to be his young, arrogant self in that he challenges Hercules, in the Olympian's homeland, over who will be the first to cross a bridge! The other fascinating aspect is that the duo venture into Jotunheim, home of the Storm Giants, which plays a very important part in the summer film directed by Kenneth Branagh. As a big fan of that film (and one who's coming fresh to most of these Thor adventures), I get a big smile on my face when I see some of the obvious inspirations of the writers. JB: Hercules is a great rival and friend of Thor’s who will have lots of impact over the years in the series. Thor suggests that the existence of Olympus is known to the outside, but only as a legend; I wish we got to see a little more of it. The battle is almost a panel by panel oneupmanship, but lots of fun, with some great art. It must be a painful life as a warrior god (or a Marvel hero in general), taking such a pounding all the time! The Thor comic has sure come a long way, as we can compare with four reprints of earlier JIM issues included in the annual: #’s 85 (Loki), 93 (Radioactive Man), 95 (Demon Duplicators), and 97 (Lava Man).
PE: Thor notes that Olympus is a land "hinted at by our ancient legends." Another big smile rises on my face as I realize that this is a legend within a legend. When Stan and Jack were on their game with minor details, no one could touch them for comic storytelling (at least until Gerber, Englehart and Thomas, et al., show up, that is). I assume Herc has his initial all over his uniform in case he has to step into a steam room with other muscle men? The only thing that slows down this exciting battle between two really big guys is the endless "You absorb my mightiest punch and pop right back on your feet? What manner of man are you?" dialogue that clutters four full pages of panels. Also included this issue are two depictions of "a simple, ordinary, typical Asgard street scene," including the directions to the Shopping Center.
Nick Fury
Our Story
Now a “spy guy” with G-2 (military intelligence), sporting an eyepatch gained since his Howler days, Col. Fury is summoned to the Pentagon and finds himself serving as the template for several Life Model Decoys (LMDs). Told that his safety is of vital concern to the White House, Fury watches as his android doubles are gunned down and a fighter jet attacks the Porsche he is riding in, which disposes of the plane with a missile and then takes flight itself. We learn that Fury has been targeted by the would-be world-conquerors of Hydra, who dress in distinctive green-and-yellow robes and hoods, serving a master who punishes failure with death.
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| Not the Helicarrier, but still pretty neat! |
MB: In his S.H.I.E.L.D. incarnation, Fury is perhaps my favorite Marvel character (I’m less familiar with his Howlers era), and since I regard his tragically short-lived strip as a pinnacle, even pre-Steranko, I’m disinclined to challenge Stan when he labels this “The crowning achievement of Marvel’s magnificent renaissance of comics!” Our stogie-chomping three-striper may seem like an odd fit for the ’60s Bond-mania milieu, but somehow it works. Even perennial MU whipping-boy inker Dick Ayers rises to the occasion—check out that reveal of the Helicarrier on page 11.
PE: As enthusiastic as you are about this series, let me just add that, after reading 350 or 400 Marvel comics in the last year, my enthusiasm for comic books has waned a bit. Something like this issue reminds me why I love comic books in the first place. Easily the best Marvel Comics story I've read (replacing, ironically, a Sgt. Fury tale as my #1), this is so chock-full of fresh ideas and, yep, future iconic characters and events. Who would imagine that the new Hydra honcho would be a woman? Granted, there are a lot of ideas "borrowed" from Bond and TV's Man From U.N.C.L.E. (which was just about to begin its second season), but Fury has a charisma Sean Connery and Robert Vaughn could only hint at. I expected the bomb on the helicarrier was planted by Stark and co. to prove to the muckety-mucks that Fury was their guy. I've heard this series only got better when Steranko climbed aboard. The mind boggles. Here's the comic book to put in the hands of someone who doesn't like comics. If you've followed our stroll down Marvel Memory Lane, you'll know we hardly ever award a comic book both shields.
JS: It gets off to a weird start, with a bunch of Fury clones set loose to be canon-fodder, but fortunately, the real Nick Fury, just like we readers, doesn't know what the hell is going on. I don't know if I would shower it with the highest accolades, but I do agree it's one of the more entertaining stories we've come across in a while.
PE: As enthusiastic as you are about this series, let me just add that, after reading 350 or 400 Marvel comics in the last year, my enthusiasm for comic books has waned a bit. Something like this issue reminds me why I love comic books in the first place. Easily the best Marvel Comics story I've read (replacing, ironically, a Sgt. Fury tale as my #1), this is so chock-full of fresh ideas and, yep, future iconic characters and events. Who would imagine that the new Hydra honcho would be a woman? Granted, there are a lot of ideas "borrowed" from Bond and TV's Man From U.N.C.L.E. (which was just about to begin its second season), but Fury has a charisma Sean Connery and Robert Vaughn could only hint at. I expected the bomb on the helicarrier was planted by Stark and co. to prove to the muckety-mucks that Fury was their guy. I've heard this series only got better when Steranko climbed aboard. The mind boggles. Here's the comic book to put in the hands of someone who doesn't like comics. If you've followed our stroll down Marvel Memory Lane, you'll know we hardly ever award a comic book both shields. JS: It gets off to a weird start, with a bunch of Fury clones set loose to be canon-fodder, but fortunately, the real Nick Fury, just like we readers, doesn't know what the hell is going on. I don't know if I would shower it with the highest accolades, but I do agree it's one of the more entertaining stories we've come across in a while.
Jack: This great new series comes out of nowhere and starts with a bang—Sgt. Fury has to remain motionless in a mold, yet he still clenches a cigar between his teeth! Sure, the series is a James Bond knockoff, but what a great idea to use the rough-edged Fury in the lead role! Kirby at his best!
PE: You have to admire Stan for having the audacity to steal Blofeld and his "kitty" for the Master.
PE: You have to admire Stan for having the audacity to steal Blofeld and his "kitty" for the Master.
Our Story
Dr. Strange travels to England in his search for the meaning of Eternity, the word the Ancient One keeps repeating. He visits Sir Baskerville, unaware that the old Brit remains loyal to Mordo. The Baron sends a minion to attack Strange, but the plan backfires, allowing the doctor to read the minion’s mind and learn that Dormammu is the power behind Mordo. Meanwhile, Dormammu discovers that Clea betrayed him and plots revenge.
Jack: A nice, atmospheric chapter, where Dr. Strange travels to an English moor and Steve Ditko gets to draw some foggy scenes. Sometimes I think I like Dr. Strange best in civilian clothes!
MB: This issue not only puts odd-couple strips Strange and Fury side by side, making Strange Tales my über-mag of the era, but also, as with Amazing Spider-Man, begins crediting Ditko as both plotter and artist. Yet scripter Stan the Man is still in there punching with lines like, “the mists close over the fog-shrouded seacoast, and the words of the evil one are lost in the murmuring of the midnight breeze…” Take that, Millie the Model! As ever, Steve gives us more than our money’s worth in words and atmosphere-drenched pictures.
JS: Definitely an upswing after the last few segments, as the astral bodies were kept in check for a change. I would suggest that Baskerville was a tad too excited to help Strange, so I wasn't too surprised by his plot. But the lasting image that creeped me out—that big third eye.
Tales to Astonish 70 Sub-Mariner
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Namor swims back home to Atlantis in the hopes that the traitorous Krang has not taken over the city as ruler. He is greeted upon his arrival by Dorma, a woman who loves him even though he doesn’t reciprocate. She gives Subby the bad news that Krang is now in charge and loved by the people. She offers her help, but Subby spurns her, believing he needs no one to take care of the situation except himself. Angry, Dorma unleashes guards, who fight briefly with Namor before they knock him out with a Hydro gun. The hero is then brought before Krang, who has him banished to prison. While he sits there angry, Subby is visited by Dorma, sorry for her prior actions. She tells Subby that all is lost because even if he were to escape, he would have to fight all of Atlantis to regain his throne because Krang is so well liked. The cool Sub-Mariner already has a plan and explains to her that the great former king Neptune had hidden away a secret trident before he resigned from power, in case an imposter ever took hold of the throne. The trident’s whereabouts are a mystery; the only clue given was to search in The Cave of Shadows. Dorma helps Subby escape but, unbeknownst to them, Krang has been monitoring them, and has given instructions to his guards to seal the cave once he enters. Namor goes into the cave and is attacked by a giant squid. He defends himself by giving the monster a sock to the eye, then quickly grabs a sea shell that is the next clue. As he tries to escape he finds out that the wall is sealed, as the giant squid torpedoes towards him.
PE: Lady Dorma sure has a strange way of showing a man (or a fish-man) she loves him. She calls his own guards to seize him "for only then may I hope to win his heart." Yet another wacky Marvel damsel. But then she's only reacting to the biggest chauvinist tuna in the sea. Powerful scene when the men who once served Namor are marching him off to his cage. They ask him to forgive them as they're only obeying orders. If you can spit underwater, the Prince does so. "Then you shall stay till you rot! Farewell, Prince of nothingness!" exclaims the soldier as he tosses The Sub-Mariner into his cell. This Namor comes off as nothing but an arrogant prick. He's not fighting for the betterment of his people (they don't look like they're suffering to me) but because he feels he's the rightful monarch of Atlantis. Kudos to Stan for writing an unlikeable character. Let's see how long it takes before Namor is kissing babies and freeing trapped dolphins.
Tom: Now this is more like it. While maybe not regarded as a classic in the history of comics, Sub-Mariner’s first solo outing was a welcome relief from the horrid Giant-Man fables. This series has already proven to be leaps and bounds better then Big Hank’s in just about every aspect. Good artwork, exciting storyline, and best of all, no Wasp!
Jack: I liked this, too. Subby seems to work better underwater. While it seems like he appeared just about every month in one book or another, it’s nice to see him get his own series, and I love the Gene Colan art.
Tom: Now this is more like it. While maybe not regarded as a classic in the history of comics, Sub-Mariner’s first solo outing was a welcome relief from the horrid Giant-Man fables. This series has already proven to be leaps and bounds better then Big Hank’s in just about every aspect. Good artwork, exciting storyline, and best of all, no Wasp!
Jack: I liked this, too. Subby seems to work better underwater. While it seems like he appeared just about every month in one book or another, it’s nice to see him get his own series, and I love the Gene Colan art.
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| This is the kind of shadowy Gene Colan panel we'll see a lot more of in Tomb of Dracula. |
MB: Boy, it’s a big month for Marvel: a Silver Age star gets a second strip catapulting him into a new era, and a revived Golden Age hero gets one turning him from a persistent Silver Age bad guy into the anti-hero we know and love. The late “Gentleman Gene” Colan (aka Adam Austin), a Timely veteran who became a Marvel mainstay, kicks it off in his distinctive style, and we even get a little continuity from Subby’s appearance in Daredevil #7. While the Namor/Dorma affair is off to a rocky start, the quest for Neptune’s Trident is not.
PE: I like this new series, a sort of Thor underwater (with Neptune standing in for Odin), and that's a nice surprise. I didn't like Sub-Mariner when I was a kid (except, for some reason, the Bill Everett issues in the early 1970s) and all that I'd read so far (those annoying guest spots in Fantastic Four) did nothing to prove me wrong. I'm hoping I missed something special when I was a kid and that I can discover its wonders now.
Tom: The Sub-Mariner character has always been a conflict for me as a comics fan. When he would go up against the Fantastic Four and other heroes, he came off as such a stroke that you always wanted to see him get knocked out. Unfortunately, Subby would always prevail, or at least escape in a draw. However, I liked it when he would engage with other bad guys because you always knew, by his tough guy pride, that he would have no problem doing whatever was necessary to come out on top.
The Hulk
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| So far, nobody draws the Hulk well! |
Last issue left off with Bruce Banner being shot and killed. As General Ross and the troops investigate the Leader’s lab, they soon realize that Banner’s corpse is missing. While they weren’t paying attention, Rick Jones was able to whisk the body away. He takes Banner to one of their old hidden hangouts. Hoping that a transformation into the Hulk will revive Banner, he places him onto a machine that is able to turn him into his green alter-ego. The transformation is successful with a twist: the Hulk now has Banner’s mind. Bruce realizes that, with the bullet lodged in his skull, if he reverts back to human form he will most certainly die. The Leader is not out of the picture yet, as he has a conference with some foreign leaders to whom he promised the Absorbatron before the Hulk destroyed it. He offers to give them an even more powerful weapon if they give him a billion dollars, while he secretly plans to use the money to attack them as well as the Americans. The Leader then releases a 500 foot high pink humanoid on a military base. The huge monster easily crushes everything in its path. The Hulk takes on the humanoid and they are pretty evenly matched. When the military shoots the pink giant with several missiles, it staggers, allowing the Hulk to gain the upper hand. Figuring the two monsters are in cahoots, Ross orders the troops to release a super missile at them both to destroy them permanently. Rick hears about this and rushes off into the desert battle to warn the Hulk before it’s too late.
Tom: I’m always happy to read a comic story with a good monster mash. The Hulk having Banner’s mind is something I’m not a big fan of, but that’s a small quibble. Issues like this one show how the Hulk series is a distant relative of Stan Lee’s old monster stories.
Jack: You’re right, Professor Tom! Too bad we finally get rid of Giant-Man and the very next issue the Hulk fights a 500 foot tall Humanoid!
Tom: It will be interesting to see if the foreign bad guys are gullible enough to give the Leader a billion dollars without ever seeing his supposed ultimate weapon of mass destruction.
Jack: One billion dollars? Paging Dr. Evil! By the way, the Kirby art on the Hulk series continues to be sub-par. And where did the potion to keep Banner as Hulk for 48 hours come from? Did he just whip that up?
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| Who else but Kirby would draw this . . . and label it "Sunday Punch missile"? |
Our Story
Daredevil mixes it up with some mooks who have hijacked a fancy cruise boat. He starts showing off, which gives one of the thugs the chance to shoot Matt in the arm. The hero jumps overboard, but his delay causes the coast guard to capture the bad guys. The next day at the law office, Karen tells Matt that the special eye surgeon she’s been asking him to see has left America to go live in the country of Lichtenbad. Coincidentally, an old foreign exchange student named Klaus Kruger, who was in Matt and Foggy’s law class in college, is now the Duke of that country, and is in New York visiting. As a surprise, Karen had contacted the Duke, and he shows up to the office to reunite with his former college mates. This is a surprise to Matt, because he didn’t remember the guy being that friendly back in the day. The Duke offers to take Matt with him to his country so that the eye specialist can see if he can help him out. Matt agrees to go, not because he wants his eyesight back, but because he smells a rat. Once they arrive, it’s fairly obvious to Matt that the folks in that little country hate and fear Duke Kruger. While investigating the castle at night dressed in his hero costume, Daredevil observes mechanical robots, dressed as medieval knights, taking away and locking up protesters in a dungeon. He gets caught himself, but is able to escape before the Duke learns his identity. Soon, a huge uprising by the townspeople occurs. DD assists them in fighting the robots. He then takes on the Duke in a brawl that he is easily winning. Sensing that his defeat is eminent, Duke Kruger releases a radioactive cobalt cloud to wipe out everybody. The eye specialist runs over to turn the switches off to deactivate the nuclear cloud. Unfortunately, the radiation from the controls kills him. The Duke just won’t let up until Daredevil flips him over the castle wall where he dies. Meanwhile, back at home, Foggy has begun to show signs of psychosis now that he is pretty sure that Karen lusts for Matt instead of him.
Tom: Surprising twist with DD actually killing (whether it was intended or not) this issue’s villain. This works out great since I hope this weird medieval putz is never seen again in Marvel comics’ continuity. Glad Matt didn’t seem too worked up about the Duke’s demise--no displays of soul searching. Spider-Man probably would have cried if he did this.
Jack: A mediocre Daredevil issue is still better than any number of Marvel comics at this point. It looks like Wally Wood is about ready to check out, since Bob Powell’s inks are pretty heavy and don’t add much.
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| This panel could be from an EC science fiction comic! |
The Avengers 19
Our Story
PE: The Swordsman is a little too close in both powers and looks to Hawkeye for my taste. He'll remain a super-villain for several more years but, in the grand tradition of Quicksilver, Hawkeye, Scarlet Witch and, very soon, the Black Widow, he'll get his membership papers approved in #112, at which point The Avengers will be made up of nothing but ex-cons, I imagine.
PE: It's so out of character for Captain America to be pouting in The Avengers Mansion workout room, whining about Nick Fury and his conceived brush-off.
Jack: This month marks the first appearance on the covers of the logo, “Marvel Pop Art Productions,” though it doesn’t appear on every book with an August 1965 cover date. Future Marvel scribe Tony Isabella is on the list of M.M.M.S members. The classic T-shirts are now on sale! I enjoyed this story, even with Captain America acting like a kid. The Heck/Ayers team seems to work together well.
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| Cap does his Sally Field at the Oscars impression. |
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| This issue of the Avengers is brought to you by Crest toothpaste. |
The Amazing Spider-Man 27Our Story
The big showdown between The Green Goblin and The Crime-Master (two individuals who really don't care for one another) comes to a halt as police raid the hideout and break up the mobster meeting. This is good news for the Amazing Spider-Man, as he's laden with chains and a really bad spare uniform. Able to break the chains (and keep his pants up), he helps the police round up the mob bosses. Alas, both the Goblin and the Master escape. Convinced that Frederick Foswell is one of the villains, Spidey heads for J. Jonah Jameson's office, just in time to witness Foswell's arrival. The wall-crawler confronts Foswell and accuses him , just as a shot rings out. The Crime-Master is shooting it out with police on a nearby rooftop and the cops emerge victorious. The Crime-Master is dead and revealed to be Nick "Lucky" Lewis, just another racket boss. Meanwhile, the crazed Green Goblin vows to bring down his greatest foe but allows that he should probably take a vacation first.
PE: This one starts out nicely with the chain-breaking scene, lets me down with the big reveal, but then regains its composure towards the climax. How could Stan and Steve think that unmasking the Crime-Master, touted as an enthralling mystery ("you'll never believe who this guy is once you find out"--true words, those), as just another crime boss, one who hadn't even made an appearance (that I'm aware of) in the title, would be satisfying? It's such a letdown that my immediate thought was: Hold on, this is Stan The Man, he's got an ace up his sleeve. It'll turn out that "Lucky" Lewis was just an unlucky patsy, the real Crime-Master is.... but nope, it was him. After a quick glance at his entry in Wikipedia, I've read what became of the character and suddenly think that maybe Marvel of the 1970s wasn't perfect after all. In Marvel Team-Up #39 (November 1975), Lewis' son, Nicholas, will don his old man's mask and join forces with a new Big Man, played by, you guessed it, Frederick Foswell's daughter, Janice! Oh heavens! Somebody transport the MU time capsule to 1975. This I have to read.
MB: So, the original Crime-Master’s career is over after a big two issues, which I think is a shame, because even without superpowers he seemed to give Spidey a run for his money, and I like that he turned out to be nobody we knew under that mask (although Steve and Stan seem to have forgotten that he had left the Goblin’s i.d. in the proverbial envelope to be opened after his death). It’s an unusual story, too: often we get several pages of plotting and/or characterization as a warm-up to the big battle or cliff-hanger, yet this time the action is up front, and the rest follows. Interestingly, when future Jungle Action scribe “Dauntless Don” McGregor later wrote in on it—courtesy of the “Post Office of the Past” feature in Marvel Tales—he hit on some points that struck me, like the welcome police action and Ditko’s cool chain-breaking shot.
PE: Yeah, the chain-breaking shot is nice and predicts the iconic "big heavy machine lifting" that comes in a few months. While I was let down by the reveal, I thought all the teasing afterwards was a kick. We see Foswell uncover a bundled costume under his desk. Hold on! Is Foswell the Goblin? No, he's just the snitch. Stan would do almost the same thing with the reveal for the identity of the Goblin as he did for the Crime-Master. Norman Osborn wouldn't be introduced to readers until #37, only two issues before his unmasking.
Fantastic Four 41
Our Story
After Reed transformed him back from Ben Grimm last issue, the Thing decides he's had enough and quits the group. He jumps into the bed of a pick-up truck to New Jersey and falls fast asleep. Along the way, the truck hits a bump and Ben is thrown into the road. His sleep is so deep, however, that he doesn't awaken. He lies in the middle of the road for a few hours but is transported by a mysterious beam to a deserted house. Held up inside are The Frightful Four, who bicker about what to do with the Thing. Meanwhile, the Thrilling Three, as they should be known from here on out, are doing everything they can to find their partner and convince him he's an important part of the group. The Wizard brainwashes Bashful Ben and turns him against his former partners (well, even more than he already was turned).
PE: The Frightful Four make a return appearance. You may not have noticed that they left. Sue notes: "It's like a terrible nightmare! We're being menaced by The Frightful Four again!" This super-villain group fights almost as much as the team this comic is named for, so it's a touch of brilliance on the part of Stan to have the Thing switch sides. Who would notice? Another option would be to have all eight join together (for good or evil) and call them The Angsty Eight.
JS: Things we learn this issue. A sprinkler system can render The Human Torch useless. Medusa plays cards with her hair. And Reed can lift tons of weight. Another day with the FF (either group).
PE: If the Four do indeed call it quits, they could go into the tracking business. With absolutely no leads (in fact, Reed says there are "thousands of homes in the area"), they still manage to find Ben in the isolated mansion. They didn't even know he'd gotten off the truck! He could have been in Florida. Best of all, when they get to the porch of the house, Reed notes that there is a light on inside and the door is unlocked, so they decide to walk in!
PE: Yeah, the chain-breaking shot is nice and predicts the iconic "big heavy machine lifting" that comes in a few months. While I was let down by the reveal, I thought all the teasing afterwards was a kick. We see Foswell uncover a bundled costume under his desk. Hold on! Is Foswell the Goblin? No, he's just the snitch. Stan would do almost the same thing with the reveal for the identity of the Goblin as he did for the Crime-Master. Norman Osborn wouldn't be introduced to readers until #37, only two issues before his unmasking.
Fantastic Four 41Our Story
PE: The Frightful Four make a return appearance. You may not have noticed that they left. Sue notes: "It's like a terrible nightmare! We're being menaced by The Frightful Four again!" This super-villain group fights almost as much as the team this comic is named for, so it's a touch of brilliance on the part of Stan to have the Thing switch sides. Who would notice? Another option would be to have all eight join together (for good or evil) and call them The Angsty Eight.
JS: Things we learn this issue. A sprinkler system can render The Human Torch useless. Medusa plays cards with her hair. And Reed can lift tons of weight. Another day with the FF (either group).
PE: If the Four do indeed call it quits, they could go into the tracking business. With absolutely no leads (in fact, Reed says there are "thousands of homes in the area"), they still manage to find Ben in the isolated mansion. They didn't even know he'd gotten off the truck! He could have been in Florida. Best of all, when they get to the porch of the house, Reed notes that there is a light on inside and the door is unlocked, so they decide to walk in!
PE: I'm going to continue my broken record analysis of "great art, no story." Stan (or Jack) still seems to be groping in the dark for that door marked Fabulous Fantasy. It's just out of reach. Kirby's art, however, is reaching that peak of magnificence we know he hit somewhere around this time. Just look at that panel reproduced above. It screams "Power!"
JS: I'm beginning to wonder if the stories that are just around the corner, the ones that I recall as being great, are going to arrive and surprise me for not being much better than the rest of what we've been reading. Tell me that can't be possible...
PE: Future lawyer/journalist Keith McWalter commends the cover of FF #37, in the letters page, as "perhaps the most striking and eye-appealing yet produced for the magazine."
Tales of Suspense 68Our Story
Tony Stark's misfit cousin, Morgan, has gotten into some monetary difficulties concerning gambling. Unfortunately, it's not just an Atlantic City or Monte Carlo casino that comes to call, it's the nefarious Count Nefaria. Smelling more than just a big payday from this dope, Nefaria cons Morgan into turning on his cousin, Tony, of whom he's always been jealous. Morgan begins a reign of terror using Nefaria's nefarious Visio-Projector, which emits very realistic holograms. Tony Stark sees martians and rocket ships where there none. Slowly but surely the billionaire playboy begins doubting his own sanity. But the joke's on the human race when, in the middle of another hologramic hallucination, a real invasion from space occurs.
PE: Astute Tony Stark (you know, the billionaire playboy so smart he makes his own weapons?) is on his way to a date with a blonde model when he happens upon a rocket off to the side of the road and notes "there's something fishy about that bird!" You mean besides the fact that it's a rocket and it's in the middle of nowhere and you don't generally make discoveries like that? Yeah, a bit fishy, I'll grant.
MB: Okay, I know we’ve got second-stringer Al Hartley at the typewriter, yet am I alone in thinking it odd that Count Nefaria returns not only unhurt after last issue’s explosion, but also with no mention of his mercifully brief stint as the Dream-Master? Mi(c)ke(y) Dem-E-sposit-o, seemingly Marvel’s utility player du jour, does well with Heck’s pencils, and we get our first look at Tony’s well-fed black-sheep cousin, Morgan. If Hartley (who mistakes “censor” for “censure”) sees fit to name his moon-men Edam and Gouda, is it then fair game to call this far-fetched yarn—a big disappointment in an otherwise stellar August—cheesy?
PE: I'll grant also that Count Nefaria's Visio-Projector may just be the sharpest picture this side of HD but the really miraculous stunt Nefaria and his underling, Morgan Stark, pull off is getting Tony to see these visions without anyone else in the world seeing them. That must take incredible luck, as well as timing. After four or five events, the whole thing starts reading like an episode of I Love Lucy. Morgan Stark doesn't come across as particularly bright and yet he seems to have a grasp on Nefaria's technological wonders. He also seems to constantly be in the right place at the right time just as his cuz shows up.
JS: If it were as entertaining as I Love Lucy, it would have been an improvement. Has anyone else noticed that when they did away with the really bad solo stories (Gi-Ant Man and Human Torch), some of the ones that seemed okay by comparison really aren't that much better?
PE: The return of the nasty, but ultimately harmless, Senator Harrington Byrd. This is a supporting character who will pop in and out of the Iron Man story for many years to come. Incredibly, he's just a guy. He's not eventually revealed to be a Sentinel, a Skrull, or even Green Goblin IV.
JS: You realize they're still publishing Iron Man, right? Don't give them any ideas.
JS: Shouldn't the Cheesy-Twins be over in their cousin's book? They sure have that Hulk family resemblance.
PE: This is some reeeeeal bad art here we're subjected to. There's not much left of Don Heck's art under Mike Esposito's inking. But, the story's such a crock of s**t, it's as my grandpappy used to say: put a dress on a pig, it's still a pig. Why waste a good art job on this swill?
JS: I'm wondering now if they had gotten rid of Iron Man, would Captain America have seemed worse? Hmmm...
PE: If you were to take the several hours it would take to research... if you had the drive... if this was important enough to you... if you didn't take my word for it... if you were to search the Marvel database of titles, you'd find that more Marvel stories begin with the word "If" than any other word in the English language. Go ahead and check if you don't believe me!
Captain America
Our Story
Cap snaps out of the hypnotic trance placed on him by The Red Skull just before he's to assassinate the great high exalted commander of things we shouldn't know about. Unshaken by defeat, The Skull then focuses on the extrication of the British Army's new super-secret weapon, a ray-gun that vaporizes anything in its path. Working with an agent placed within a POW camp, The Skull puts his plan into action, not knowing that Steve Rogers and Bucky Barnes just happen to be the soldiers assigned to keep an eye on The Skull's secret agent.
PE: It's almost as though Stan (and/or Jack) got tired of the "hypnotized Cap the assassin" plotline and dumped it in a couple of intro panels. Boredom, or maybe they decided they'd painted themselves into a corner not easily turpentined. A huge amount of disbelief suspension must be adopted to enjoy this series as Cap and Bucky always seem to be around the action that previously was being enjoyed by Steve and Bucky. As Professor Matthew alluded to, we're not talking about Cap and Bill here. And how in the world can anyone buy that Steve Rogers can spend his day walking around with a shield strapped to his back? Never mind that the guy's a strong cat. Someone would have to notice (maybe as they're marching behind him) that the guy's got really weirdly shaped shoulders. This particular installment is a filler story. Nothing really happens. Nice art though.
MB: By this point in the arc, the Red Skull is reduced to a three-panel cameo, yet his nefarious influence pervades the story in a satisfying way. I must say that Bucky, masquerading as a Nazi when this episode starts (Mask? What mask?), was fortunate not to have taken a bullet after the general ordered his security forces to “Come in shooting!” The Kirby/Ray art is, frankly, better than ever, from the electrifying splash page—as Cap simultaneously holds off no fewer than four Nazi goons—to that characteristically Kirbyesque mofo vanishing-ray machine.PE: You mean that ultra-super secret weapon, Project Vanish? The one everyone involved in World War II seems to know about? In the letters page, Stan answers a fan who asks how a Marvel script is typically written: "It's kinda difficult to describe what a mixed-up Marvel script looks like. "Actually, it's mostly a series of hastily scribbled notes, because the stories are usually created by batting them around in the bullpen, and then, after the artist has gone wild with the drawings, Stan swoops down and polishes the dialogue."
JS: You know, the first thing I think when I misplace something is, have I stumbled across Project Vanish? Unlike Cap, I may never know. Tricky how he uses the old reverse psychology on the Nazi to get him to basically blow himself up. With all the "shoot em in the hand" and "shoot em in the leg" we see, I thought for sure he'd roll his shield over him to incapacitate him. I guess that's what happens when you're mad as hell, and just aren't going to take it any more.
Also this month
Modeling with Millie #40
Patsy and Hedy #101
Patsy Walker #122
Rawhide Kid #47
Sgt Fury and His Howling Commandos #21
